IBC 2024 HIGHLIGHTS – AN A-Z PREVIEW
by Richard Inman
Actus Digital’s Actus MV and Actus AI join the four products already in its monitoring platform: Intelligent Monitoring (compliance logging/quality monitoring), Clip Factory Pro (automated content repurposing), OTT StreamWatch (OTT Monitoring) and Actus RVM (remote post-STB monitoring). Each of the six products is available can be combined or used standalone.
Adobe will demonstrate version 24.2 of its Premiere Pro video editing software. Updates includes a new ‘Frame size’ dropdown in the ‘Create Proxies’ dialogue. This allows users to select the resolution for proxies to match, halve or quarter the resolution of the original content, along with a custom option for specific resolution requirements. The update also expands the list of proxy format presets to include formats like H.264, ProRes, Cineform, and DNxHR.
AJA Video Systems’ ColorBox v2.1 introduces new features including 4K/UltraHD down-conversion and 4K/2K cropping. Also new is v4.3 software for AJA’s FS-HDR/WCG converter and frame synchoniser including the latest BBC HLG LUTs v1.7, as well as new motion adaptive deinterlacer and channel-to-channel HFR sync controls.
Appear’s new JPEG XS module enables the delivery of 8 full HD channels per module, equalling a possible 96 JPEG XS full HD channels across a 2 U chassis. The company will also highlight the HEVC performance of its X Platform, enabling 96 full HD HEVC feeds to be contributed from a 2 U chassis. Appear will also launch a 100Gb IP Gateway switch module to increase the density of contributed live video and media through the company’s X Platform.
Arkona Technologies will expand its BLADE//runner platform with solutions aimed at audio workflows, specifically mixing and signal processing. It will demonstrate an audio mixer, available as an option, and a dedicated audio mixer and DSP instance powered by the company’s AT300 FPGA Programmable Acceleration Care.
ARRI’s new L-Series Plus LED Fresnel lights come in two sizes: the L5-C Plus features a five-inch Fresnel lens while the L7-C Plus features a seven-inch. Approximately the same size and weight as their predecessors, the L-Series Plus products are claimed to provide up to 90% more light output. Existing barndoors and all other L-Series accessories are fully compatible with the new Plus range.
Astera’s LunaBulb externally replicates the appearance of a conventional lightbulb but provides is designed to provide full-colour and wireless control. An LED-based bulb with inbuilt CRMX, it is available with an E26, E27 and B22 fitting and, like a conventional bulb, screws directly into an AC-wired bulb socket.
Atomos’ Shinobi II is a 5-inch 1500 nit HDR monitor “designed for vloggers, creatives and photographers”. It will control most Canon, Panasonic and Sony mirrorless cameras over USB-C, and Z CAM E2 models through a separate serial cable. Tools include histogram, waveform, false color, zebra, focus peaking and zoom. With future firmware updates Atomos plans to support cameras from Fujifilm, Nikon, OM System and Sigma. Price is 349 US$, 349 euros, £295.
Avid will demonstrate how its DNAfabric, Avid NEXIS and Avid-Edit-On Demand bring a combination of on-premise and cloud hybrid backup workflows that enable faster recovery across newer data threats and attacks.
Black Box will show an enhanced Emerald Deskvue IP KVM receiver with the Emerald AV Wall feature set. Deskvue enables users to access up to 16 sources and arrange them according to their requirements on up to four 4K screens, one of which can be 5K. When users add Emerald AV Wall, they can move sources from Deskvue to a 2×2 video wall to enhance collaboration with a local team.
Blackmagic’s DaVinci Resolve Micro Color Panel is a US$495 color panel for DaVinci Resolve software. It includes trackballs and control knobs as well as navigation and transport keys for shortcut commands, plus a mounting slot for an Apple iPad Pro, an internal battery, Bluetooth and USB-C connections. Also new are the Pyxis 6K box-format digital cine camera and the Blackmagic Ethernet Switch 360P. The 360P has 16 10G Ethernet ports and two 100G Ethernet ports.
Bolin Technology is a PTZ camera brand specialising in baseband video and AVoIP video camera solutions. Applications of its indoor and outdoor PTZ cameras include broadcast, professional sports, education, unified communications, live performance venues, oceanic research ND space exploration, and any other scenario where high-quality video, flexible connectivity, and accurate, smooth, and quiet PTZ performance is required.
Brainstorm will debut the newest features of Suite 6.1, which includes the latest versions of InfinitySet, Aston, and eStudio. The demonstration will feature a live Elections programme, using InfinitySet with Unreal Engine 5.4. “Industry-unique” features include multiple scene transitions, talent tele-transport, and AR graphics. The demonstration will include a transparent touchscreen enabling in-context 3D graphics and providing presenters with enhanced control. Also on show will be EdisonGO, a capture environment using iPad for video and tracking, and Edison OnDemand, which enables immersive presentations via a web browser.
Bridge Technologies will demonstrate improvements to the Microbitrate analytics integrated into the VB330, VB220 and VB120 and NOMAD monitoring instruments. IP networks are subject to ‘microbursts’, a phenomenon in which data packets are transmitted in rapid, oversized bursts. These have the potential to overflow the buffers of the network stack, undermining broadcast quality. Thus, a per-second readout of network performance may indicate that – on average – everything is operating within parameters, when in reality the broadcast is subject to jitter and dropped packets.
Brightcove has added web-based video editing capabilities to its streaming platform. The editing functionality is designed for anyone to use regardless of their level of video expertise. Users can trim and cut sections within larger videos or merge points to create new clips, reels or highlights. They can also add graphics, logos, music, artwork and other creative elements.
Broadpeak will demonstrate its dynamic ad insertion solutions for video streaming. Available on the company’s SaaS platform, broadpeak.io, Broadpeak’s server-side ad insertion solution enables video service providers to tailor content to individual preferences, allowing the creation of seamless and personalized streaming experiences that drive viewer engagement and bring more opportunities for monetization. Neuron makes the company’s streaming technology available to platforms that are creating their own private CDN infrastructure.
Calrec will demonstrate a new reduced-height variant of its Argo-S IP-native mixer control surface. This combines the meter-bridge and touch UI into a single row of displays, with users able to switch between Calrec Assist full Web UI and full meters on any section, on-the-fly. Each 12-fader wide section is fully independent in terms of processing capabilities, path control access, power supplies and connectivity.
Canon’s CJ27ex7.3B IASE T portable zoom lens is designed to capture 4K HDR image quality from wide angle to telephoto. The new lens is compatible with 4K broadcast cameras equipped with 2/3-inch sensors. It has a 7.3-197mm focal length range and a 2.0x optical extender.
Cartoni’s range of pneumatic pedestals for studio and outdoor broadcast applications has been updated and improved and will be released as a high-performance series, including the P20 HP, P40 HP, P70 HP, P70 HP Steering and P90 HP. Improvements include a dual-stage column with a first manual height adjustment and a smooth second pneumatic elevation unit for height on-air adjustment. On the P90, both stages are pneumatic, and a new reduced minimum height has been achieved.
Cartoni will introduce Lifto Twin, a version of its Lifto 25 motorised camera elevator, capable of lifting any PTZ camera to a height of 4 metres. The column’s control system has been upgraded and the Pro version can now be operated via Ethernet and managed via the remote-controlled camera. Lifto Twin features variable speed and can store up to 100 preset positions.
Chyron’s Paint 9.6 replay and sports analysis tool introduces new updates including Multi-Angle Telestration and Highlight Pitch Zone tools, designed to give sportscasters with unprecedented flexibility in sports storytelling. Also new is the Prime 4.9 live production engine including enhancements aimed at improving efficiency in designing and executing complex graphics that use real-time data sources.
Clear-Com will demonstrate its Gen-IC Virtual Intercom, highlighting the integration of end-points and improved asset management within SkyPort. The system simplifies licence management and configuration, enabling efficient intercom system linkage across various platforms.
Cobalt Digital’s 9905-MPx openGear card facilitates the conversion of 1080i SDR signals into 1080p HDR, ready for ATSC 3.0, incorporating 3D-LUTs and color correction capabilities to support downstream HDR systems. Also recently introduced are UltraBlue IP-MV multiviewers featuring WebRTC output. These multiviewers support a range of IP/SDI inputs and outputs. Cobalt also introduces a 2U 36 x 36 router support up signals of up to 12G-SDI.
CueScript’s cloud-based CueTALK Cloud is a voice-activated service for its CueiT prompting software SayiT. SayiT receives a talent microphone input and allows those using the CueiT teleprompting software to have the script automatically scroll in accordance to what they are saying, matching what is displayed on the output of the teleprompter and eliminating the need to manually scroll the prompter script. Also on show will be OnTime, a Wi-Fi enabled clock device that can be configured to the local time zone.
Deity Microphones’ Theos digital wireless system is designed to ensure uninterrupted connectivity even in challenging environments such as bustling urban streets. The product range includes the DBTX and DLTX bodyworn transmitters and the DXTX for direct connection to XLR microphones. Theos transmitters use a wideband UHF spectrum rather than the crowded 2.4 GHz band. Frequencies span between 550 and 960 MHz.
Dejero has developed a mobile network aggregation device, the GateWay 3220, to support its customers’ critical communications at the edge. It is housed in a fanless chassis for installation in vehicles and portable kits.
DPA Microphones’ 2017 shotgun microphone is intended for use at broadcast and live events. Measuring 184 mm has been tested for use at temperatures from -40 to +40 C with 90 percent relative humidity.
DVEO’s DVEO Live Streaming Production Box, housed offers customers with the control and administration software required for successful live broadcasting. It accepts SDI or IP input for integration into current setups and workflows.
ENCO will demonstrate an AI-driven virtual anchor delivering live news from a 3D virtual news set. The presentation will be produced live from a virtual production studio powered by Qimera AR/VR/MR systems in combination with generative AI technologies. The AI virtual anchor leverages AI models to generate virtual human anchors that speak with human-sounding voices.
Evertz’ NEXX routing platform supports the integration of UHD and HDR technologies while preparing users for future IP expansions and cloud-based workflows. Available in 5 U (384×384) and 3 U (96×96) configurations, it supports audio management, including shuffling between embedded audio, MADI, TDM, and features a software-enabled multiviewer with over 40 layout options.
Farmerswife will show the latest innovations in its Cirkus project management solution including a new Public Requests feature. This is designed to simplify the process of submitting project and booking requests.
For-A’s IBC 2024 exhibit will include an SMPTE ST 2110 zone previewing technology such as the FA-1616 multi-channel processor, a software-defined signal processor bridging the gap between SDI and IP workflows. The 1 U FA-1616 provides frame synchronisation for up to 32 channels, plus colour correction and audio remapping. For-A will also show AR/XR/VR capabilities with Koala camera tracking and ClassX graphics as well as an Alfalite LED wall.
Fujifilm’s Fujinon HZK24-300mm is a dual-format lens supporting two types of large image sensors. The lens is equipped with a 12.5x zoom lens that covers the focal length range of 24-300 mm frequently used in the field. Length is 270.5 mm and weight is 2.95 kg
GatesAir is adding to its transmitter range the Flexiva GX2K, supporting 2 kilowatts of analog FM in a 2 U chassis. GatesAir has also enhanced the GUI for all six GX models, including integrated audio playback and a supporting playlist manager. Options include GPS receivers for SFN support, and GatesAir’s Intraplex IP Link 100e (IPL-100e) module.
Glensound’s AoIP22M is a small format portable audio-over-IP interface similar to the AoIP22, with two analog inputs and two analog outputs to interface to a Dante/AES67 network. Main difference is that the inputs are switchable from line to microphone. The DC power input is using USB C to allow connection to generic plug-top power supplies or USB power banks. Also new is the Dark Dawn 1616M Dante/AES67 interface.
Grass Valley will demonstrate updates to its LDX 100 Series broadcast camera platform and K-Frame video production switchers. Camera improvements include the integration of LUT processing, eliminating the need for external converters. The cameras now support 6x 1080p shooting with native UHD resolution output. A new model is now available for integration with wireless transmission and cloud-based production solutions.
Haivision will show recent additions to its Haivision Pro mobile video transmitters, Makito X4 video encoders and decoders, StreamHub and SRT Gateway receivers and MoJoPro mobile app. Also on show will be Haivision Hub 360 cloud-based master control which is designed to helps broadcasters remotely manage and control all their field units and video contribution feeds for live production workflows.
Hiltron Communications’ HMAM-XY motorised antenna mount is designed to track LEO and MEO satellites, smallsat constellations and flying objects such as drones. A universal adapter allows easy attachment of planar antennas or prime focus reflectors with up to 2.5 metres diameter. Operation is via Hiltron’s HACU antenna control unit which includes TLE/NORAD tracking capabilities. Steptrack is available as an option. Control and monitoring can be performed through an Ethernet link with a web interface. The HACU can be mounted on the HMAM-XY support column with local control possible using a directly connected handheld unit.
Hiltron will also promote at IBC a field-upgradable motorisation kit specifically designed for existing fixed installations of CPI 2385 Series 3.8 metre Rx/Tx antennas in current deployment for tracking applications, or for new installations requiring tracking functionality. The first three systems recently completed successful factory acceptance tests and are now being installed at various locations around the world. Hiltron has the design and development capability to provide motorisation kits for any type of reflector on customer request.
Hitachi’s DK-H700 is a 4K box camera designed with three 8.3 million pixel 2/3-inch CMOS sensors. An added ND filter improves depth of field and reduces moiré patterns on video walls. Hitachi will also show the SK-UHD7000-S2 camera from its SK-UHD7000 Series. This is a multi-format camera that provides an 4K license upgrade option, allowing users to start with 1080p production and activate 4K as needed.
Hitomi Broadcast will demonstrate SMPTE ST 2110 compatibility for its MatchBox, allowing integration into IP-based broadcast environments while maintaining the unit’s lip-sync and latency measurement capabilities. The IP interfacing options are also available on Hitomi’s IdentBox product. Existing MatchBox customers can update their hardware to support ST 2110 by adding the new interface to spare slots in their xFrame. Hitomi will also preview of an upcoming software analyser designed for high channel count productions.
IHSE USA will show a new KVM system using the JPEG XS codec, developed in collaboration with Fraunhofer IIS. This enables ultra-low-latency video routing, crucial for broadcast, in-house production, and gaming applications.
Ikegami will exhibit new additions to its range of broadcast production equipment including the HDK-X500 HD portable camera system and OCP-500 operation control panel plus two new video monitors – the mains-powered HLM-2460WA and mains/battery HLM-1860WR. The Ikegami HDK-X500 is designed for use across a wide spectrum of applications including pedestal-mounted studio operation, tripod-based sports coverage and shoulder-mounted location production. It includes 2/3-inch CMOS global shutter sensors plus automatic optical vignetting correction throughout the range of OVC-compatible B4 bayonet mount zoom lenses.
IMAX Corporation will exhibit a new version of its StreamSmart enterprise software for live and linear workflows. StreamSmart On-Air reduces bitrate of live streams and is claimed to save 15% or more on the cost of CDN distribution with no distinguishable difference to viewer experience. It seamlessly integrates into an existing encoding and packaging workflow for minimal disruption to the tech stack, and uses a simple manifest manipulation approach, making it codec, encoder, and configuration agnostic.
Intinor will demonstrate its ability to support uninterrupted video transmission over public internet networks by seamlessly switching between multiple internet paths. The system uses the SMPTE ST2022-7. It also supports RTP and RTP over SRT and offers redundancy with satellite, fiber optic and internet paths.
Leader’s new ZEN-W Series, introduced at NAB and making its first IBC appearance, comprises the LV5600W waveform monitor and its LV7600W rack-mountable equivalent. The LV5600W is a 3U high half-rack-width unit with an integral 7 inch touchscreen. The LV7600W occupies 1U and has SDI plus TMDS monitor outputs. Developed from the established LV5600 and LV7600, these latest-generation instruments are designed to satisfy the most demanding broadcast media test and measurement environments. WebRTC allows secure remote control and monitoring from a web-connected desktop or laptop computer.
Limecraft will promote Media Intelligence which blends AI with relevant human input such as scripts, production briefings and call sheets. “By applying subsequent normalisation, we have achieved superior confidence scores and true multi-modal indexing that supports editorial decision-making,” says co-founder Maarten Verwaest. Also on demonstration will be Cloud Connector: “…a secure local software agent which opens up full two-way upload and download to the central Limecraft platform so you can still easily locate, manage and share content. Very few cloud storage solutions can offer the same blend of performance, flexibility and price.”
Lumens Digital Optics’ VC-R31 HD PTZ is a 12x zoom remote-control pan/tilt/zoom camera with simultaneous HDMI, USB and IP outputs. Based around a Sony sensor, it can stream to local networks and global streaming services. The camera is compatible with Lumens’ CamConnect Pro voice tracking system. It can be powered using the supplied adapter, or via PoE. Its 72.5° maximum horizontal field of view makes it suitable for installation in small spaces requiring a wide-angle lens or in larger event spaces where the zoom enables it to frame an individual at a distance of 12 metres.
Magewell’s Director Mini is a portable production and streaming system that integrates multi-input switching, graphics, streaming, recording and monitoring into a single compact device. The monitor has a touchscreen interface and companion mobile app. The Director Mini 2.4 update adds over 20 new features and enhancements including instant replay, live support for HTML graphics platforms, and network bonding. Two replays can be played individually or side by side, in full speed or slow motion, and can be saved for later use.
Marshall Electronics’ new CV612-TBI/TWI PTZ camera can automatically track, follow and frame presenters using facial learning. Equipped with 12X optical and a 15X digital zoom, it offers a 4.1 to 49.2 mm (6.6 to 70.3 degrees) field of view. The camera includes a 2 megapixel 1/2.8-inch HD CMOS sensor. It includes a flexible networkable IP interface with simultaneous 3G-SDI, HDMI and USB 3.0 Type C outputs.
Matrox’ new 100 GbE ST 2110 network card is designed for media environments including broadcast and virtual production. Featuring dual QSFP 28 connectors, the PCIe Gen 4 x 8 card offers up to eight channels of UHDp60 or two channels of 8Kp60 input and output, all with ST 2022-7 redundancy. The card has hardware-based PTP to provide nanosecond-range ST 2059-2 accuracy and offloads all ST 2110 packet processing from the CPU.
Mediaproxy, a producer of IP compliance software, is pushing into media data aggregation and orchestration in partnership with Skyline Communications, developer of the DataMiner transformation platform. The two manufacturers will demonstrate how their respective systems can be integrated. Integration between LogServer and DataMiner first began in 2017 but was based around APIs and primarily focused on the data collection control panel of the Skyline system. DataMiner is a data acquisition, control and orchestration platform including artificial intelligence features such as forecasting, anomaly detection and automatic incident tracking.
MRMC’s Super Milo camera rig is designed to offer speeds of up to 3 metres per second on track and 5 m/s with combined camera movement. It is equipped with brushless motors and achieves speeds up to 100% faster and accelerations up to 400% quicker than the original Milo. The rig can take a camera payload of 35 kg and is designed to perform smooth, stable movements below ground level to a maximum height of 6.1 meters. Setup takes under an hour. An electric jacking system is included for rail assembly.
MultiDyne Video & Fiber Optic Systems’ new MDoG Series offers SMPTE ST 2110 network interface and low-latency JPEG-XS codec modules to manage uncompressed and compressed signals as they move between legacy systems and IP networks, with full redundancy to optimize performance. MDoG-6060 ST 2110 interfaces are available in multiple I/O configurations for 3G-SDI and 12G-SDI systems. Each configuration offers two 25GB network interfaces to support redundant transport streams, strengthened through SMPTE ST 2022-7 compliance.
OOONA will demonstrate the latest additions and refinements to its media localization management and production platform. Making their first IBC appearance will be the QA Manager, the OOONA Testing Platform (a test facility which companies can use to set up any type of processing routine they need for their resources), as well as an expanded EDU educational platform hosting a large variety of courses, webinars and seminars related to the media sector. OOONA’s range of online services is complemented by a marketplace for media localization talent (The POOOL).
Ozen’s EZ-Pod camera mount has a fast-locking mechanism which securely locks all three leg sections with a single flip lever. Equipped with an arching mid-level spreader, the EZ-Pod can be adjusted to vary the tripod height and footprint. Load capacity is 35 kg, weight is 4.5 kg and operating height is between 61 and 165 cm.
Nixer’s RP64 Pro is a 64-channel digital patch panel enabling re-routing of critical signals from a dedicated operator/engineering position in the event of equipment failure. The RLC64 CV1 Dante AoIP monitoring solution also makes its debut at IBC. IBC visitors can also see Nixer’s new PD Ravenna in action. A small portable audio monitoring unit designed for broadcast control rooms and production vehicles, it monitors up to 64 Ravenna/AES67/ST2110 channels. IBC will also see the preview of Nixer’s new PD Milan which allows monitoring of up to 64 audio channels.
NTP Technology’s DAD AX Center is a 1U audio interface and router equipped to perform audio conversion and monitor control. The control software gives access to a 512 x 64 channel summing processor. SPQ processing offers 128 channels with a total of 1024 EQ filters, as well as delay, for accurate loudspeaker correction in the studio. The internal routing matrix spans 984 x 984 channels, allowing any input to be routed to any output or duplicated and routed to several different destinations simultaneously.
Nugen Audio will show the latest version of its VisLM loudness metering plug-in. Users can now define program segments, facilitating multiple integrated loudness measurements such as those needed around advertising breaks. VisLM 3 also extends support to up to 22.2 audio channels and introduces stem monitoring along with loudness measurement for separate deliverables.
Proton Camera’s Proton Cam has a 1.18 inch sensor with 12-bit sensor technology and integral FPGA delivering which can output up to 1080p60in Rec.709 or Rec.2020. The camera measures 28 x 28 mm, weighs 24 grams, is battery powered and has a 2.5 watt power consumption. ISO is 200, adjustable up to 6,400. Price is US$1,300. Applications include drone cinematography and close-up sports imaging. Capture angle is 97 degrees, optionally up to 124 degrees.
Red Digital Cinema’s new Cine-Broadcast module is compatible with the company’s V-Raptor XL [X], V-Raptor [X] and standard V-Raptor and V-Raptor XL camera systems. The module unlocks live broadcast with up to two channels of 4K 60p HDR/SDR over 12G-SDI and is IP-broadcast ready with SMPTE ST 2110 (TR-08) and up to a 4K 60P JPEG-XS feed. The module has an SMPTE 311M/304M hybrid fiber optical cable connector which connects to a rack mountable 2 U base station.
Rohde & Schwarz’ TE1 ATSC 3.0 native transmitter uses liquid-cooling to ensure heat from the amplifiers is dissipated outside, eliminating the need for air conditioning. The design eliminates single points of failures. All parameters can be monitored and controlled remotely.
Rohde & Schwarz will demonstrate its Gallium and StreamMaster automation and video processing platform, Prismon networked multiviewers, SpycerNode2 secure storage, Venice live and production ingest, and Clipster premium content mastering system at IBC. Gallium and StreamMaster automated playout leverage the latest .NET 6.0 technology for deployment in the cloud, plus a PostgreSQL open-source relational database. Broadcasters and service providers can build playout automation and delivery systems from a single channel to hundreds, controlled from any location via a web browser.
Ross Video’s Artimo robotic studio camera is designed to programmable moving shots without the limitations of fixed rails, markers or the need for a smooth floor. Camera height can be varied from below the desk to above head level, supporting a full payload, including broadcast cameras, lenses, teleprompters, and talent monitors.
Sennheiser will introduce what it claims is the world’s first wideband, bidirectional wireless system based on WMAS technology (Wireless Multichannel Audio Systems). The company’s Neumann division will show DSP-powered KH monitors and NDH studio headphones as well as the MT 48 with the new Monitor Mission which transforms the unit into an immersive audio interface and monitor controller. Merging will present its Pyramix DAW software and Anubis interface.
Shotoku will demonstrate the latest version of its TR-XT camera control system which connects with all Shotoku robotic camera systems via Ethernet and to compatible third party devices via serial or Digiport protocol convertors. The system comprises the 3U T-Panel, high resolution glass-front VGA touch screen and 2U T-Computer processor unit. With the new AutoFrame face tracking option, the TR-XT can automatically maintain any desired framing of a presenter or guest live on air.
Sigma Corporation will introduce a prototype autofocus cine lens based on the 28-45 mm F1.8 DG DN/Art. Features include a focus ring with distance indicator, a clickless aperture ring and compatibility with 95 mm matte boxes.
Sony’s new dedicated portable data transmitter, PDT-FP1, which allows video and still image data transport over 5G networks. It includes a 6.1-inch OLED display and a cooling fan, and comes with an HDMI input, a LAN port, a USB Type-C port, a USB Type-C charging terminal and a screw hole for mounting on a camera. A dedicated Network Visualiser app allows users to check network and communications conditions.
Sony’s M2L-X is a software-based production switcher which allows operators to control video switching, audio mixing, graphics and captions from any network-connected location. The switcher can be operated via a GUI or hardware-based control panel such as the Sony ICP-X
TAG will demonstrate how dashboards can be built and customised with open toolsets like Kibana, Grafana and Kafka to address any level of detail and show how users can maximise the full extent of their data and gain insight from TAG’s Realtime Media Platform.
Telemetrics has introduced new software and hardware improvements across its entire range of camera control systems. These include the addition of new features for the RCCP-2A robotic camera control panel for the Telemetrics OmniGlide robotic roving platform and TG-4/TG-5 camera trolley and track systems.
Tieline’s Bridge-IT II and Bridge-IT XTRA II IP audio codecsare intended for use in home studios, remote broadcasts, studio-to-transmitter links and studio-to-studio links. Upgrades include include compatibility with contemporary networking standards like AES67, ST2110-30, ST2022-7, Livewire, RAVENNA, and AMWA NMOS IS-04 and IS-05. The codecs offer dual full-duplex mono or a single full-duplex stereo connection, enhanced connectivity with multiple Ethernet and AoIP ports, and versatile failover options.
Tinkerlist’s Cuez is a cloud-based newsroom solution for live news and 24/7 channels as well as sports, entertainment and live events. It supports remote working and collaboration, connecting to existing studio hardware and software and allowing device control from the rundown.
VIDA’s Connect2 cloud-native media asset management system integrates within the VIDA Content operating system to support the management of master intellectual property for film and TV content owners. This includes video, audio, documents, and marketing files stored in VIDA. The application allows licensees to access these assets independently, reducing administrative overhead and expediting content distribution and utilisation.
Witbe’s Ad Monitoring and Matching technology is designed to keep track of dynamically inserted advertisements in video streams and evaluate their performance and presence in a real-time setting. Witbe’s allows the detection and troubleshooting of issues arising from dynamic ad insertion, such as errors that cannot be identified through traditional monitoring methods. Service providers receive detailed reports on errors like blank screens, audio disruptions, stream crashes, buffering, and problems transitioning back to primary content.
Wohler Technologies’ eVAM1-1 provides monitoring capabilities for up to 16 channels of 3G-SDI audio and video. This is achieved within a 1U chassis featuring a 2.4 inch touch screen for switching between video, metering, and menu options. The eVAM1-1+ expands on this by incorporating an HDMI option card enabling HDMI input and output in addition to the standard SDI inputs.
